The Vakhtangov Sourcebook
| Author | : Andrei Malaev-Babel |
| Publisher | : Taylor & Francis |
| Total Pages | : 400 |
| Release | : 2011-03-01 |
| ISBN 10 | : 9781136979972 |
| ISBN 13 | : 1136979972 |
| Language | : EN, FR, DE, ES & NL |
Language: en
Pages: 400
Pages: 400
Yevgeny Vakhtangov was the creator of Fantastic Realism, credited with reconciling Meyerhold's bold experiments with Stanislavski's naturalist technique. The Va
Language: en
Pages: 296
Pages: 296
Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde
Language: en
Pages: 312
Pages: 312
Yevgeny Vakhtangov was a pioneering theatre artist who married Stanislavski’s demands for inner truth with a singular imaginative vision. Directly and indirec
Language: en
Pages: 224
Pages: 224
If, as an actor, your body is your 'instrument' - and the only way you can express the internal impulses of the character you’re playing - what happens when t
Language: en
Pages: 348
Pages: 348
This book explores the role and centrality of women in the development of collaborative theatre practice, alongside the significance of collective creation and
Language: en
Pages: 705
Pages: 705
Around the Point is a unique collection that brings to readers the works of almost thirty scholars dealing with Jewish literature in various Jewish and non-Jewi
Language: en
Pages: 692
Pages: 692
This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bib
Language: en
Pages: 216
Pages: 216
The term ‘theatre laboratory’ has entered the regular lexicon of theatre artists, producers, scholars and critics alike, yet use of the term is far from uni
Language: en
Pages: 224
Pages: 224
Encountering Ensemble, is a text for students, teachers, researchers and practitioners who wish to develop a deeper understanding of the history, conceptual fou
Language: en
Pages: 496
Pages: 496
How does a theatrical tradition emerge in the fields of dramatic writing and artistic performance? How can a culture in which theatre played no part in the past
